Sometimes the most innocuous music becomes the most enduring. I didn't know this to be true when I first heard Book of Love. But their now-22-year-old debut album still imparts to me small moments and vignettes of only happiness.
Seemingly manufactured purely for the sake of dance-club hits, Book of Love is hardly the kind of band I thought I'd still listen to in my approaching middle age. I first heard them when I was living in Southern California during the summer of 1990. My first boyfriend was a fan who introduced me to their mix of clever pop songs frosted with drum machines, hand claps, bells, and probably three different kinds of keyboards. The brilliant "Boy, in particular, was a revelation simply because of the disaffected voice (Susan Ottaviano) recounting how she is denied entry to a gay bar and can't play with all the other boys. Her tone--balanced somewhere between dismissive and wistful--was unlike anything I'd heard on Top 40 radio. Learning that two of the band members were gay was not exactly a revelation, but it made them feel that much more important.
And that encapsulates their paradox: On the surface they were shiny, twee, forgettable pap. But the music was also more melodic, yearning, and--dare I say it?--soulful. The jubilant yet distanced tone permeates the eponymous debut, beginning with the nearly effervescent "Modigliani (Lost in Your Eyes)." Ostensibly a love song about looking into someone's eyes and being lost in them--you know, the usual that was already done by, say, Debbie Gibson--the title name checks a prominent 20th-century Italian painter who was known for his mystical, somewhat creepy way of depicting his subjects' eyes. So, I wondered while sill in high school art history, is this really a love song to the painter? Um, well...duh.
It wouldn't be the last time I picked up the album after a number of years, only to be hit by some sense of nostalgia or new found respect for a band that had precious little of it in their own time. It was only upon listening to "Die Matrosen" in 2002 or so, for example, that I realized Book of Love had covered a song by the infamous all-female Swiss punk band, Liliput--a band almost no one had heard of in the U.S. in 1986.
In college, I would sneak songs from "Book of Love" onto mix tapes made for dance parties in the houses on campus and although many people would snort when they'd come on, few could resist the pull of an anthemic dance hit like "I Touch Roses"--cotton candy in sonic form, with no meat or nutritional value, and yet irresistible. The dance floor in the house living room would fill up with any number of Book of Love songs. When you've had a few drinks, they simply amplify the euphoria.
Just last week, my high school friend Kathleen came to visit me in Los Angeles and, seemingly out of nowhere, asked me about a song she remembered from years ago with a girl singing about boys, or not being a boy. "You mean 'Boy' by Book of Love," I said, and not only did I then need to hear it, but I had to make her a mix of Book of Love songs to take home.
I've been re-listening to "Book of Love" all weekend, remembering these small moments I've experienced with it: dancing at college house parties; riding in my first boyfriend's car from suburban Claremont to Los Angeles to go shopping on Melrose Avenue, unable to believe that I A) had been sleeping with a boy and B) was in Los Angeles; driving in the middle of the night through the empty streets of Portland with Susan, cranking the music out of my shitty car speakers on our way to go dancing downtown; traipsing through the Australian Outback with my iPod looking for emus and kangaroos.
Now, the album feels like an old friend--the one you see after any number of years and with whom you still have an instant rapport. You may at first forget what you had in common, but then, the memories begin to flow. And before long you're laughing about some memory and re-telling the story--turning it into another part of your personal history. And happily so.
